![]() Once he finds the flirtatious young woman, Harry finds himself enamored with Tom’s girlfriend Paula (Jennifer Warren), but gets caught up in something stranger as he figures out how to take Delly back to Los Angeles. ![]() Declining the latter, Harry tracks down Delly through a series of her love affairs, including with a smarmy mechanic (James Woods) and an airplane stunt man (Anthony Costello), who goads Harry into checking out the Florida Keys, where Delly’s stepfather Tom Iverson (John Crawford) resides. ![]() In the middle of catching his wife in the middle of an extramarital affair, Harry is hired by Arlene Iverson (Janet Ward), an aging Hollywood starlet who’s lost all her sex appeal but none of her seductive wiles in her attempt to secure his interests in finding her runaway daughter Delly (Melanie Griffith) as well as taking her to bed. Harry Moseby (Hackman) is a loner private eye in Los Angeles, mostly handling banal marital squabbles as he avoids opportunities to join bigger and better organizations, which his wife Ellen (Susan Clark) suggests he segue into. While finding the missing teenager results in a welcome escape from his troubled marriage, a more sordid, complex predicament unfolds as a black-market antiques ring fears exposure. A one-time pin-up gal hires a quixotic private eye to track down her runaway teenage daughter, a promiscuous sort whose well-being insures her mother’s access to the money left behind from her deceased movie mogul father. set mystery, informed specifically by the sprawling, infectious apathy of a disillusioned metropolis, screenwriter Alan Sharp models his convoluted narrative after the hard-edged prototypes developed by Hammett and Chandler. And that's what counts.Released between a pair of revisionist Westerns (1970’s Little Big Man and 1976’s The Missouri Breaks), Arthur Penn’s 1975 neo-noir Night Moves remains an unsung gem from the New Hollywood period, helmed by one of the era’s progenitors and headlined by one of its most prolific actors- Gene Hackman.Īn L.A. It's a good noir, and watch it because of that. Just don't go into Night Moves with high expectations, like the critics will get you to believe with their 4/4 star ratings. It's one of the best things that this film has to offer. Here in Night Moves, his performance is one of the most attractive things. His work nowadays doesn't really even being to compare with his 70's and 80's filmography. Gene Hackman continues to impress me with these younger roles. This film is just a slight tick above average, when it should be powerful. Just know that the blame goes to someone, even if that someone doesn't have a face. I don't blame the cast or really even the direction. You understand what I mean? Night Moves is a good film, but it needs to be a great film. Why? The story is intriguing enough and it certainly holds many of the traits found in film noir, but it just doesn't have the "oomph" that it needs. It's impossible not to enjoy watching a mystery as it unfolds.Īrthur Penn's Night Moves is good example of noir, but it isn't a fantastic film. Each noir film has an underlying meaning, and they all deal with dark themes: greed, murder, corruption. There are so many likable characteristics about it.
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